Na God. A. Esiebo e A. Butticci

Aestetics of African Charismatic Power

10,00 

Na God. A. Esiebo e A. Butticci. Na God is an expression in West African Pidgin English that means ‘It’s God!’ When people unexpectedly hear good news, experience a miracle, receive a gift, or when something right or remarkable happens, that is when we might hear Nigerians and Ghanaians say ‘Na God.’ The expression is much more than a mere exclamation; it is part of a way of experiencing the world, acknowledging the presence of supernatural powers, and communicating and mediating experiences of daily living. Na God is part of the aesthetics with which African Pentecostals reiterate their link with God and with their community, and within it contains a piece of the story of Nigerian and Ghanaian Pentecostalism and their way of navigating and responding to colonial inheritances of language and religion. _Annalisa Butticci

 

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In Ghana, many Charismatic Christians see their spiritual lives as very different from those of “Traditionalists,” practitioners of Ghana’s indigenous religion. This article argues that, while there are differences in how each group experiences spirit or divinity, their spiritual experiences share much in common due to, what Strathern calls, “partial connections.” Charismatic Christian spiritual experiences stand out in creating a rupture with the preceding context and highlighting the qualities of inner thought. By contrast, spiritual experiences of Traditionalists give less attention to inner thoughts. Also, they are less characterized by rupture and more by contextual continuity. However, there are patterns of experience these two ritual communities hold in common. Both Charismatic Christian and Traditionalists experience the divine as exerting difficult-to-resist pressure. Also, members of both communities tend to blur the line between mental and sensory experience of spiritual entities. I argue that overlapping elements of their shared cultural lifeworld help constitute these common experiential patterns. This article shows that, in some cases, cultural forms with distinct origins interact in a semi-coherent way to shape the texture of experience. In doing so, it contributes to anthropological thinking on cultural change that occurs at the intersection of local and global cultural forms.

 

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na god butticci
Na God. A. Esiebo e A. Butticci
10,00